grateful dead tiger jam

It's around 9:15 on the Charlie Miller transfer of 4-5-69 at the Avalon. Thank you Light Into Ashes. Grateful Dead Live at Capital Centre on 1982-09-15 ... thank you TIGER ROSE!!!' Tennessee Jed; Ramble on Rose; Loser; Cold Rain and Snow; St. Stephen; And We Bid You Goodnight; Looks Like Rain; Jams. I don't hear Mind Left Body on the 4/8/72 phoenix of Dark Star, but is does share a rhythmic feel with Mind Left Body. A shout out to Doctor Bob for leaving a remnant on the Cap Center parking lot! I know EXACTLY what u are referring too. I see this was posted a while ago but I have a question. Phil...thought to himself, why can't I play my music during intermission? Collection, Dead & Every Friday we'll be sending you off with a Jam Of The Week, hand-picked and delivered by tape archivist David Lemieux. Picks, Dead I would submit that the jam out of Dark Star on 4/8/72 is not "Mind Left Body," which has chord changes not only in the pedal that leads back to the top, but in the descending jam itself. The show starts with a Lovelight>Not Fade Away>Lovelight sandwhich. The Dark Star played on 12/18/73 contains a 'Mind Left Body Jam' that should be added to the list.

Agreed! I've seen it used interchangeably with "Spam Jam" too, might not be 100% correct but you get the idea.

It lasts for about 30 seconds, and no one picks it up, but its pretty clear.This period of 1969 seems to be a trasitional phase, as Dark Stars often have a longer improvisational section between the verses, less reliant on the same 'set pieces' they employed earlier in the month. I found the earliest Seven jam! It is in the 4-26-72 Other One. Have you heard it? Thanx Tiger Rose, David, & Andrew.

Then at 13:30 Garcia heads back to the Dark Star theme and the verse. There is proof: - Jerry was known to have been listening to Sketches of Spain back in '61. Thanks friend!! Jerry does the Tiger runs and then starts to play Morning Dew but Bobby and Billy start El Paso. http://web.archive.org/web/20030825202854/www.stellarjay.net/timle/tighten_up_jam.htm Some nice reviews & timings, and a different take on Tighten Up.... Hi there. Still, I'll be on the lookout for more versions. Whitegum and deadlists failed to identify him. '73-'74, Cornell Company, Stickers & I would have to agree with you on that one. Touch of Solea (Miles Davis - chords start around 2 minutes in): http://www.archive.org/details/gd69-09-26.aud.hanno.14856.sbeok.shnf, http://www.archive.org/details/gd69-10-25.sbd.jagla.81.sbefail.shnf, http://www.archive.org/details/gd69-11-02.sbd.goodbear.1125.sbefail.shnf, https://archive.org/post/1053485/guide-to-the-feelin-groovy-jam, https://archive.org/details/gd1972-04-11.sbd.jackson.smith.94377.sbeok.flac16, http://www.archive.org/details/gd72-10-18.sbd.weir.7295.sbeok.shnf, http://www.archive.org/details/gd1972-11-13.aud.cotsman.7518.sbefail.shnf, http://www.archive.org/details/gd72-11-26.sbd.cotsman.9248.sbeok.shnf, http://www.archive.org/details/gd72-10-02.sbd.lai.158.sbefail.shnf, http://www.archive.org/details/gd73-02-24.sbd.elliot.11929.sbeok.shnf, https://archive.org/details/gd1973-03-16.sbd.miller.79186.sbeok.flac16, http://www.archive.org/details/gd73-03-31.sbd.yerys.2237.sbeok.shnf, http://www.deadforayear.com/why-the-tighten-up-jam-should-henceforth-be-known-as-the-soulful-strut-jam/, http://www.archive.org/details/gd69-12-26.sbd.murphy.1821.sbeok.shnf, http://www.archive.org/details/gd70-01-02.partial-early.sbd.86.sbefail.shnf, http://www.archive.org/details/gd70-03-01.sbd.hanno.4641.sbefail.shnf, http://www.dead.net/features/tapers-section/march-18-march-24-2013, http://www.archive.org/details/gd1970-03-21.late.aud.lee.pcrp.21779.shnf, http://www.archive.org/details/gd70-04-03.sbd.cotsman.4283.sbefail.shnf, https://archive.org/details/gd70-04-12.sbd.kaplan.3820.sbeok.shnf, http://www.archive.org/details/gd70-04-15.sbd.kaplan.14354.sbeok.shnf, http://www.archive.org/details/gd70-04-24.aud.hanno.19531.sbeok.shnf, https://archive.org/details/gd1970-05-02.sbd-fm-aud.unknown.108955.flac16, http://www.archive.org/details/gd70-05-06.sbd.gans.94.sbefail.shnf, http://www.archive.org/details/gd70-05-08.aud.miller.32056.sbeok.flacf, http://www.archive.org/details/gd70-05-24.sbd.hanno.6481.sbeok.shnf, http://www.archive.org/details/gd1970-06-06.sbd.miller.86951.sbeok.flac16, http://www.archive.org/details/gd_nrps70-06-24.aud.pcrp5.23062.sbeok.flacf, http://www.archive.org/details/gd1970-07-12.aud.unknown.sirmick.24663.sbefail.shnf, http://www.archive.org/details/gd70-09-17.aud.remaster.sirmick.27591.sbeok.shnf, http://www.archive.org/details/gd1970-12-17.sbd.unk.87356.sbeok.flac16, http://www.archive.org/details/gd70-10-24.sbd.hollister.103.sbeok.shnf, http://www.archive.org/details/gd70-10-30.sbd.cotsman.20044.sbeok.shnf, http://www.archive.org/details/gd1970-11-08.aud.weiner.28609.sbeok.shnf, https://www.youtube.com/watch?v=B4jOqjRA49c, http://web.archive.org/web/20030825202854/www.stellarjay.net/timle/tighten_up_jam.htm, https://archive.org/post/1055387/guide-to-the-tighten-up-jam, http://deadessays.blogspot.com/2009/08/mind-left-body-jam.html, http://www.archive.org/iathreads/post-view.php?id=114745, http://www.archive.org/details/gd1968-01-17.sbd.cotsman.11795.shnf, http://www.archive.org/details/gd1970-02-11.late-set2.aud.smith.99152.sbeok.flac16, http://www.archive.org/details/gd1974-07-19.sbd.gans-finney.217.sbeok.shnf, http://www.archive.org/details/gd76-07-16.set1aud-set2sbd.miller.23569.sbeok.shnf, http://www.archive.org/details/gd68-06-19.sbd.cotsman.4511.sbeok.shnf, http://www.archive.org/details/gd69-04-11.sbd.cotsman.15404.sbeok.shnf, http://www.archive.org/details/gd69-04-15.aud.miller.31435.sbeok.flacf, http://www.archive.org/details/gd69-12-05.sbd.cotsman.11256.sbeok.shnf, http://www.archive.org/details/gd70-05-03.aud.cotsman.9378.sbeok.shnf, http://www.archive.org/details/gd70-06-07.sbd.hollister.98.sbeok.shnf, http://www.archive.org/details/gd70-11-06.aud.warner.17183.sbeok.shnf, http://www.archive.org/details/gd68-10-08.sbd.belaff.17691.sbeok.shnf, http://www.archive.org/details/gd68-10-10.sbd.miller-ladner.4513.sbeok.shnf, http://www.archive.org/details/gd69-09-29.aud.early.hollister.79.sbeok.shnf, http://www.archive.org/details/gd70-03-21.early.lee.pcrp.20184.sbeok.shnf, http://www.archive.org/details/gd1969-02-15.sbd.goodbear.2175.sbeok.shnf, http://www.archive.org/details/gd69-11-01.sbd.cotsman.6298.sbeok.shnf, http://www.archive.org/details/gd69-12-12.sbd.gerland.10988.sbeok.shnf, http://www.archive.org/details/gd69-12-30.sbd.miller.28469.sbeok.shnf, http://www.archive.org/details/gd1970-01-03.sbd.gmb.97743.flac16, http://www.archive.org/details/gd70-02-05.sbd.hanno.9184.sbefail.shnf, http://www.archive.org/details/gd70-08-18.aud.yerys.1346.sbeok.shnf, http://www.archive.org/details/gd1970-09-18.sbd.reynolds.97525.flac16, http://www.archive.org/details/gd70-09-20.aud.remaster.sirmick.27583.sbeok.shnf, http://www.archive.org/details/gd70-10-10.aud.hanno.7590.sbeok.shnf, http://www.archive.org/details/gd70-10-11.aud.cotsman.9500.sbeok.shnf, https://archive.org/details/gd1970-10-17.aud.linton.miller.119329.flac16, http://www.archive.org/details/gd70-10-23.aud.wolfson.15080.sbefail.shnf, http://www.archive.org/details/gd72-11-19.sbd.winters.17705.sbeok.shnf, http://www.archive.org/details/gd70-06-04.sbd.miller.12135.sbeok.shnf, http://www.archive.org/details/gd70-07-11.aud.cotsman.9379.sbefail.shnf, http://www.archive.org/details/gd70-05-07.aud.weiner-gdADT04.5439.sbefail.shnf, http://www.archive.org/details/gd70-06-06.sbd.ashley.2172.sbeok.shnf, http://www.archive.org/details/gd1970-09-19.mtx.chappell.SB14.31510.sbeok.flac16, http://www.archive.org/details/gd70-12-12.sbd.clugston.5985.sbeok.shnf, http://archive.org/details/gd71-04-13.sbd.unknown.32015.sbeok.flacf, http://www.archive.org/details/gd71-07-31.winberg.weiner.5678.gdADT05.sbefail.shnf, http://www.archive.org/details/gd69-11-07.sbd.kaplan.19783.sbefail.shnf, https://archive.org/details/gd1969-11-08.sbd.wise.17433.shnf, http://www.archive.org/details/gd69-06-xx.aud.tzuriel.10510.sbeok.shnf, http://www.archive.org/details/gd69-02-07.late.sbd.wiley.14471.sbeok.shnf, http://www.archive.org/details/gd70-01-03.sbd.ret.19440.sbeok.shnf, http://www.archive.org/details/gd1971-10-27.ashley-bertha.32869.sbeok.flac16, http://www.archive.org/details/gd71-11-15.sbd.cotsman.12438.sbeok.shnf, http://www.archive.org/details/gd1971-11-20.sbd.miller.92908.sbeok.flac16, http://www.archive.org/details/gd71-12-05.prefm.miller.3391.sbeok.shnf, http://www.archive.org/details/gd71-12-10.sbd.yerys.1311.sbeok.shnf, http://www.archive.org/details/gd72-04-14.sbd.hurwitt.8828.sbeok.shnf, http://www.archive.org/details/gd70-11-11.aud.cotsman.17081.sbeok.shnf, https://archive.org/details/gd71-04-26.sbd.murphy.4991.sbefail.shnf, https://archive.org/details/gd71-04-29.sbd.frisco.16782.sbeok.shnf, http://www.archive.org/details/gd72-09-28.sbd.bill.12657.sbeok.shnf, http://www.archive.org/details/gd1966-07-16.sbd.miller.21063.shnf, http://www.archive.org/details/gd70-05-14.sbd.cotsman.12439.sbeok.shnf, http://www.archive.org/details/gd70-06-13.sbd.hanno.9079.sbefail.shnf, http://www.archive.org/details/gd74-07-29.sbd.goodbear.2277.sbefail.shnf, http://www.archive.org/details/gd72-10-24.pset2-sbd.hamilton.159.sbeok.shnf, http://www.archive.org/details/gd1972-10-28.sbd.finney.160.shnf, http://www.archive.org/details/gd73-02-15.sbd.hall.1580.sbeok.shnf, http://www.archive.org/details/gd73-09-11.sbd.lanum.184.sbeok.shnf, http://www.archive.org/details/gd74-09-18.sbd.miller.20732.sbeok.shnf, https://archive.org/details/gd74-10-19.sbd.miller.21927.sbeok.shnf, http://www.archive.org/details/gd74-02-22.sbd.patched.sirmick.21539.sbeok.shnf, http://www.archive.org/details/gd74-02-23.sbd.clugston.3382.sbeok.shnf, http://www.archive.org/details/gd74-06-20.sbd.clugston.2179.sbeok.shnf, http://www.archive.org/details/gd74-07-25.sbd.miller.12656.sbeok.shnf, http://www.archive.org/details/gd1974-10-20.sbd.smith-lee.GEMS.97193.flac16, http://listeningnotes.tumblr.com/post/81220260170/the-deads-elastic-ping-pong-jam-during-dark, https://archive.org/details/gd72-11-17.sbd.warner.15982.sbeok.shnf, https://archive.org/details/gd1972-11-19.123578.sbd.gans-miller.flac16, https://archive.org/details/gd72-12-31.prefm.vernon.20559.sbeok.shnf, https://archive.org/details/gd73-02-26.sbd.kaplan.1208.sbeok.shnf, https://archive.org/details/gd73-02-28.sbd.weiner.15386.sbeok.shnf, https://archive.org/details/gd1973-06-10.sbd.miller.tobin.patched-89730.90979.flac16, https://archive.org/details/gd1973-06-24.sbd.miller.99852.sbeok.flac16, https://archive.org/details/gd73-06-29.sbd.cotsman.11617.sbeok.shnf, https://archive.org/details/gd1973-09-11.113051.sbd.GoodBear.flac16, https://archive.org/details/gd1973-10-30.sbd.miller.32367.sbeok.flac16, http://deadessays.blogspot.com/2014/03/1972-melodic-jams.html?showComment=1396285047193#c5544692000593140465, http://deadessays.blogspot.com/2018/06/the-proto-solomon-jazz-jam.html, http://www.archive.org/details/gd71-02-18.sbd.orf.107.sbeok.shnf, http://www.archive.org/details/gd71-08-14.sbd.ladner.21268.sbeok.shnf, https://archive.org/details/gd1972-03-22.132726.sbd.miller.flac16, http://www.archive.org/details/gd72-07-25.sbd.cotsman.7046.sbeok.shnf, http://deadessays.blogspot.com/2009/08/crowded-dead-stage-1967-1975.html, http://www.archive.org/details/gd1966-XX-XX.sbd.GEMS.81254.flac16, http://www.archive.org/details/gd66-03-19.sbd.scotton.81951.sbeok.flac, http://www.archive.org/details/gd66-03-25.sbd.unknown.38.sbeok.shnf, https://archive.org/details/gd1967-07-23.aud.sorochty.125462.flac16, http://www.archive.org/details/gd69-05-07.sbd.cotsman.6028.sbeok.shnf, http://www.archive.org/details/gd1969-04-21.sbd.miller.88465.sbeok.flac16, http://www.archive.org/details/gd72-10-09.sbd.vernon.5249.sbeok.shnf, http://www.archive.org/details/gd73-07-27.aud.weiner.gdadt26.26363.sbeok.shnf, https://archive.org/details/gd1974-06-18.sbd.miller.89690.sbeok.flac16, http://www.archive.org/details/gd74-06-23.sbd.cribbs.16780.sbeok.shnf, http://deadessays.blogspot.com/2014/03/1972-melodic-jams.html, http://www.youtube.com/watch?v=Wro3bqi4Eb8, https://www.youtube.com/watch?v=-S-Z4Vh1ieA, https://www.youtube.com/watch?v=yX1XSOzDPik, https://www.youtube.com/watch?v=T4ytWN56Sqo, https://www.youtube.com/watch?v=TBQxG0Z72qM, https://www.youtube.com/watch?v=GKktd7TQ4ag, https://www.youtube.com/watch?v=Dz4mgJRB4yY, https://www.youtube.com/watch?v=3thciHZ8Ve4, https://www.youtube.com/watch?v=AHEzyqhDASw, http://www.youtube.com/watch?v=a-CYWbfFoXY, http://www.youtube.com/watch?v=8uGnEc0DhY4, https://www.youtube.com/watch?v=goR8Lf3YH2w, https://www.youtube.com/watch?v=Y_o4omd8T5c, https://www.youtube.com/watch?v=wEmGbMd2duk, https://www.youtube.com/watch?v=65jQXHIwy00, 1970 Audience Tape Guide & Anti-Taping Stories, deadessays.blogspot.com/feeds/comments/default, http://www.archive.org/details/GratefulDead, http://www.thebestofwebsite.com/Bands/GD.htm.

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